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Paolo Mancosu tells how Pasternak's expulsion from the Soviet Writers' Union left him in financial difficulty. Milan publisher Giangiacomo Feltrinelli and Sergio d'Angelo, who had brought the typescript of \u003cem\u003eDoctor Zhivago\u003c\/em\u003e to Feltrinelli, were among those who arranged a smuggling operation to help him. After Pasternak's death, Olga Ivinskaya, his companion, literary assistant, and the inspiration for Zhivago's Lara, also received some of the Zhivago royalties.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAfter the KGB intercepted Pasternak's will on her behalf, the Soviets arrested and sentenced her and her daughter, Irina Emelianova, to eight years and three years of labour camp, respectively. The ensuing international outrage inspired a secret campaign in the West to win their freedom. 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Furthermore the book examines the vital – and perhaps unexpected – significance of ethnicity and gender in nuclear history by looking at how Kazakhs and Nenets lost their homelands and their health in Russia in the wake of nuclear testing, as well as the surprising sexualization of the taming of the female atom in the Russian 'Miss Atom' contests that commenced in the 21st century.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaperback\u003c\/strong\u003e\u003c\/p\u003e","brand":"Pushkin House Bookshop","offers":[{"title":"Default Title","offer_id":42830546927777,"sku":"","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0510\/3406\/3009\/products\/9781350272552.jpg?v=1673866606"},{"product_id":"like-a-drop-of-ink-in-a-downpour-memories-of-soviet-russia-by-yelena-and-galina-lembersky","title":"Like a Drop of Ink in a Downpour: Memories of Soviet Russia by Yelena and Galina Lembersky","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\"\u003cem data-mce-fragment=\"1\"\u003eLike a Drop of Ink in a Downpour \u003c\/em\u003eis more ambitious than the average memoir. It’s informed by Galina’s and her parents’ lessons on the value of art and culture and enriched by Alëna’s beautifully constructed images and Galina’s poetry\" \u003c\/strong\u003e–\u003cstrong data-mce-fragment=\"1\"\u003e Herb Randall, \u003cem\u003eLA Review of Books\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eLike a Drop of Ink in a Downpour\u003c\/em\u003e traces Yelena Lembersky’s childhood in Leningrad (St Petersburg) in the 1970s and ‘80s. Her life is upended when her family decides to emigrate to America, but instead her mother is charged with a crime and unjustly incarcerated.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eTold in the dual points of view, this memoir is a clear-eyed look at the reality of life in the Soviet Union during the Cold War, giving us an insider’s perspective on the roots of contemporary Russia. 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Yasha Klots demonstrates how \u003cem\u003etamizdat\u003c\/em\u003e contributed to the formation of the twentieth-century Russian literary canon: the majority of contemporary Russian classics first appeared abroad long before they saw publication in Russia.\u003c\/p\u003e\n\u003cp\u003eExamining narratives of Stalinism and the Gulag, Klots focuses on contraband manuscripts from Khrushchev's Thaw to Stagnation under Brezhnev. Klots revisits the traditional notion of late Soviet culture as a binary opposition between the underground and official state publishing. 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There are several underlying themes here. One is Mandelstam's Jewish background in pre-1914 Russia, which he rejected as a young man, but reaffirmed in later life. Another is the inescapable impact of Russia's political and social transformation.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHis evolution as a poet naturally occupies a large place in the biography, which quotes many of his most famous poems, including his devastating anti-Stalin epigram. He produced wonderful poetry before the October Revolution, but did not reach his full poetic stature until the 1930s when in exile in Voronezh. 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Unlike the often-saccharine pop music sanctioned by the Soviet state, Ukrainian punk musicians of the 1980s Kyiv underground adapted ideologies of rock to roast the absurdities of late Soviet life, to articulate new ways of being Ukrainian, and to celebrate the cathartic pleasures of collective gatherings organized around musical performances.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis book tells the story of \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eTantsi\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e(\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eDances\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e) a 1989 semi-official cassette release by the now-legendary Ukrainian punk band Vopli Vidopliassova, known to fans simply as VV (pronounced “Ve-Ve”). Their disruptive musical sounds, ironic lyrics, use of language, and propulsive performances toyed with the distinctions between official and unofficial Soviet culture. VV's \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eTantsi\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e exemplifies how Soviet musical cultures existed within an ecosystem of contradictions as entrenched state infrastructures collided with emergent youth subcultures on the quicksand of late Soviet life. 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Here, Rico Isaacs uses cinema as an analytical lens to explore how the Kazakh national identity has been constructed and contested. Drawing on an analysis of Kazakh films from the last century, and featuring new interviews with directors and critics involved in the Central Asian film industry, his book traces the construction of nationalism within Kazakh cinema from the country's inception as a Soviet Republic to a modern independent nation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIsaacs identifies four narratives since the collapse of the Soviet Union: a warrior-like 'ethnic' narrative rooted in the 18th-century struggles against the Mongolian Oirat tribes; a 'civic' inspired narrative cemented in the Stalinist deportations of the 1930s and 1940s; a religious narrative founded within the mystic and philosophical religion of Tengrism and the cult of the Sky God; and a socio-economic narrative which roots Kazakh nationhood and identity in contemporary social divisions, the lived day-to-day experiences of ordinary citizens and the struggles they face with authority.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThese last two tropes demonstrate how cinema has emerged as a site of dissent against the country's authoritarian regime under President Nazarbayev. \u003cem\u003eFilm and Identity in Kazakhstan\u003c\/em\u003e advances our understanding of Kazakhstan and nationalism by demonstrating the multiple and inessential character of each, and illustrates the important role of cinema in contesting political power in the post-Soviet space.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaperback\u003c\/strong\u003e\u003c\/p\u003e","brand":"Pushkin House Bookshop","offers":[{"title":"Default Title","offer_id":43179763597473,"sku":"","price":31.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0510\/3406\/3009\/files\/9781350252295.jpg?v=1693480056"},{"product_id":"eccentrism-turns-100-feks-and-the-early-soviet-avant-garde-a-centenary-anthology-edited-by-ian-christie","title":"Eccentrism Turns 100: FEKS and the Early Soviet Avant-Garde. A Centenary Anthology edited by Ian Christie","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe revolutionary Soviet cinema of Sergei Eisenstein, Dziga Vertor, Vseveled Pudovkin and Lev Kuleshov inspired young filmmakers and audiences around the world, at the same time as it terrified censors. Most of it came from Moscow, the new capital of Soviet Russia after the revolutions of 1917. But in the former imperial capital - 'then not yet Leningrad, pored between the present and the future', according to the critic Viktor Shklovsky - 'the way was also open for experimentation'. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan aria-label=\"\" class=\"c-mrkdwn__br\" data-stringify-type=\"paragraph-break\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eLeading that revolt against tradition were the youngsters who launched \"Eccentrism\" in 1921. Leonid Trauberg and Grigori Korintsev, 20 and 17 respectively, had both recently arrived from Ukraine. Within months they had distributed their 'Factory of the Eccentric Actor' (FEKS) manifesto, recruited a troupe of extraordinary performers, and presented their first riotous stage shows. The poster for \u003cem\u003eThe Wedding\u003c\/em\u003e, which owed little to Gogol, promised 'operetta, melodrama, farce, film, circus, variety, Charlie Chaplin and the lovely Betty'. Their motte was borrowed from Mark Twain - 'Better to be a young pup than an old bird of paradise.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan aria-label=\"\" class=\"c-mrkdwn__br\" data-stringify-type=\"paragraph-break\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eEisenstein nearly joined them but decided to return to Moscow. 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Today it feels closer to the French New Wave than to most early Soviet films.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis centenary celebration features the first complete translation of the FEKS manifesto, alongside a facsimile of its original 'eccentric typography, with a portfolio of stills from \u003cem\u003eOktyabrina\u003c\/em\u003e, original polemics, and later reminiscences by the founders.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaperback\u003c\/strong\u003e\u003c\/p\u003e","brand":"Pushkin House Bookshop","offers":[{"title":"Default Title","offer_id":43788017074337,"sku":"","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0510\/3406\/3009\/files\/2024-02-28_Mailchimp_16_9_1200x675px.jpg?v=1707916728"},{"product_id":"russian-food-since-1800-empire-at-table-by-catriona-kelly","title":"Russian Food since 1800: Empire at Table by Catriona Kelly","description":"\u003cp\u003e\u003cspan\u003eIn Russia, food has a hugely important role in political, symbolic, and practical terms. 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