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Their work, indisputably controversial and ground-breaking in the Russian context, also has a lot to offer for poets and activists in the US. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe \u003cem\u003eF Letter\u003c\/em\u003e anthology collects politically influential poems, such as the work of Lida Yusupova, inspirational for the Russian internet wave of #metoo discussions, Egana Djabbarova’s poem in support of the Khachaturian sisters’ case, or Galina Rymbu’s “My Vagina,” an explosive work in support of the activist Yulia Tsvetkova, whose childlike body-positive cartoons resulted in pornography charges. It also features the complex, meditative and stunning long poem by Oksana Vasyakina occasioned by the death of her father, a truck driver, of AIDS; the intense and philosophical love poetry of Lolita Agamalova, and a lot of other pieces that (we think) are among the most powerful poetic work created by Russian-speakers today.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e-- By Eugene Ostashevsky and Ainsley Morse\u003c\/p\u003e\n\u003cp\u003eWith original poems by Lolita Agamalova, Oksana Vasyakina, Elena Georgievskaya, Egana Dzhabbarova, Nastya Denisova, Elena Kostyleva, Stanislava Mogileva, Yulia Podlubnova, Galina Rymbu, Daria Serenko, Ekaterina Simonova and Lida Yusupova; translated by Eugene Ostashevsky, Ainsley Morse, Helena Kernan, Kit Eginton, Alex Karsavin, Kevin M. F. Platt, and Valzhyna Mort.\u003c\/p\u003e\n\u003cp\u003ePublished by isolarii, 2020.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003ePaperback\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Pushkin House Bookshop","offers":[{"title":"Default Title","offer_id":43068365799585,"sku":"","price":14.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0510\/3406\/3009\/files\/fletter.jpg?v=1690465314"},{"product_id":"osip-mandelstam-a-biography-by-ralph-dutli","title":"Osip Mandelstam: A Biography by Ralph Dutli","description":"\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003cem\u003e\"Russia's greatest poet in the twentieth century\"\u003c\/em\u003e - Joseph Brodsky\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is the first full-scale biography of Osip Mandelstam to combine an analysis of his poetry with a description of his personal life, from his beginnings as a young intellectual in pre-revolutionary Russia to his final fate as a victim of Stalinism.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe myth has grown up that Mandelstam was a gloomy, miserable figure; Dutli deconstructs this, stressing Mandelstam's enjoyment of life. There are several underlying themes here. One is Mandelstam's Jewish background in pre-1914 Russia, which he rejected as a young man, but reaffirmed in later life. Another is the inescapable impact of Russia's political and social transformation.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHis evolution as a poet naturally occupies a large place in the biography, which quotes many of his most famous poems, including his devastating anti-Stalin epigram. He produced wonderful poetry before the October Revolution, but did not reach his full poetic stature until the 1930s when in exile in Voronezh. He was never an official Soviet poet, and it was only thanks to the intervention of Bukharin that he was brought back from utter impoverishment.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe biography gives full weight to his emotional life, beginning with his friendship with two other Russian poets, Marina Tsvetaeva and Anna Akhmatova, followed by love and marriage to Nadezhda Khazina.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHardback\u003c\/strong\u003e\u003c\/p\u003e","brand":"Pushkin House Bookshop","offers":[{"title":"Default Title","offer_id":43109603147937,"sku":"","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0510\/3406\/3009\/files\/9781839761584.jpg?v=1689173227"},{"product_id":"поиски-л-в-search-for-l-in-by-lisa-minaeva","title":"Поиски л. в... \/ Search for L. in... by Lisa Minaeva","description":"\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cem\u003eПоиски л. в...\u003c\/em\u003e – первый поэтический сборник Лизы Минаевой, поэтессы, режиссерки и видеохудожницы, в своих текстах исследующей темы телесности и романтических поисков. Что значит быть женщиной в 2023 году в мире, где поиск любви обрел форму дейтинговых сервисов, а доверить незнакомцу свое тело становится проще, чем остаться эмоционально доступным?\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\"\u003cem\u003eИмпульсивные и чувствительные к языку дейтинга стихи Лизы Минаевой – об интенсивных переживаниях, разочарованиях и политическом контексте любви\u003c\/em\u003e\" \u003cbr\u003e\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003e–\u003c\/span\u003e Syg.Ma, Ф-письмо\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e------\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cem\u003eSearch for L. in...\u003c\/em\u003e is the first poetry collection by Lisa Minaeva, a poetess, director and video artist, who explores the themes of corporeality and romantic searches in her texts, documenting a young woman's journey through life, looking for Love and instead finding loves, lovers, muses and different sorts of sexual encounters. What does it mean to be a woman in 2023 in a world where the search for love has taken the form of dating services, and it becomes easier to trust a stranger with your body than to remain emotionally available?\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\"\u003cem\u003eI’m in love with Lisa’s poems, they are fragile and courageous, and the brittle surface of her words is a mirror reflecting the passionate raw female love. Love for love. Love for the body. And for the soul. A savage love. A free love. A sensual love. A physical love\u003c\/em\u003e\"\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e–  Aleksandra Aubay, book blogger\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e\u003cspan\u003e-----\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003eWebsite \u003ca href=\"www.lisaminaeva.com\" target=\"_blank\" rel=\"noopener noreferrer\"\u003ewww.lisaminaeva.com\u003c\/a\u003e, Instagram \u003ca href=\"https:\/\/www.instagram.com\/hetaerapsappha\/?hl=en\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e@hetaerapsappha\u003c\/a\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Pushkin House Bookshop","offers":[{"title":"На русском","offer_id":43117148504225,"sku":"","price":13.0,"currency_code":"GBP","in_stock":false},{"title":"In English","offer_id":43117148536993,"sku":"","price":13.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0510\/3406\/3009\/files\/CoverEnglish.jpg?v=1689668416"},{"product_id":"in-the-hour-of-war-poems-from-ukraine-edited-by-carolyn-forche-and-ilya-kaminsky","title":"In the Hour of War: Poems from Ukraine edited by Carolyn Forché and Ilya Kaminsky","description":"\u003cp data-mce-fragment=\"1\" id=\"yui_3_17_2_1_1689940928789_376\" class=\"\"\u003e“\u003cem\u003eThis is the silence before the explosion, between volleys of rifle fire, the silence of foreboding, of fear and insomnia, and the silence of complicity. The poems were written in the hour of war, in the lyrics of passing through fire....\u003c\/em\u003e” So write the editors, two of America’s most significant poets, Carolyn Forché and Ilya Kaminsky, in their introduction.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eUkraine may be the only country on earth that owes its existence, at least in part, to a poet. Ever since the appearance of Taras Shevchenko’s\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eKobzar\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003ein 1840, poetry has played an outsized role in Ukrainian culture. “Our anthology begins:\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eLetters of the alphabet go to war\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003eand ends with\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eI am writing\/ and all my people are writing\u003c\/em\u003e,” note the editors. “It includes poets whose work is known to thousands of people, who are translated into dozens of languages, as well as those who are relatively unknown in the West.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eThese poems offer a startling look at the way language both affects and reflects the realities of war and extremity. The volume is sure to become the classic text marking not only one of the darkest periods in Ukrainian history, but also a significant moment in the universal struggle for democracy and human rights.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003e\u003cstrong\u003ePaperback\u003c\/strong\u003e\u003c\/p\u003e","brand":"Pushkin House Bookshop","offers":[{"title":"Default Title","offer_id":43123191513249,"sku":"","price":18.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0510\/3406\/3009\/files\/In_the_Hour_of_War_-_Cover.jpg?v=1689941278"},{"product_id":"a-crash-course-in-molotov-cocktails-by-halyna-kruk","title":"A Crash Course in Molotov Cocktails by Halyna Kruk","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003e“We act like children with our dead,” Halyna Kruk writes as she struggles to come to terms with the horror unfolding around her: “confused,\/ as if none of us knew until now\/ how easy it is to die.” In poem after devastating poem, Kruk confronts what we would prefer not to see: “a person runs toward a bullet\/ with a wooden shield and a warm heart...” Translated with the utmost of care by Amelia Glaser and Yulia Ilchuk,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eA Crash Course in Molotov Cocktails\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003eis a guidebook to the emotional combat in Ukraine.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThese stunning poems of witness by one of Ukraine’s most revered poets are by turns breathless, philosophical, and visionary. In a dark recapitulation of evolution itself, Kruk writes: “nothing predicted the arrival of humankind....\/ nothing predicted the arrival of the tank...” Her taught, lean lines can turn epigrammatic: “what will kill you will seduce you first,” or they can strike you like Lomachenko’s lightening jabs: “flirt, Cheka agent, bitch.”\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eLeading readers into the world’s darkest spaces, Kruk implies that the light of language can nevertheless afford some measure of protection. Naming serves as a shield, albeit a wooden one. The paradox is that after the bullets have been fired and the missiles landed, the wooden shield, the printed book, reconstitutes itself.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003ePaperback\u003c\/strong\u003e\u003c\/p\u003e","brand":"Pushkin House Bookshop","offers":[{"title":"Default Title","offer_id":43123193020577,"sku":"","price":18.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0510\/3406\/3009\/files\/A_Crash_Course_--_cover.jpg?v=1689941465"},{"product_id":"six-latvian-poets-edited-by-ieva-lesinska","title":"Six Latvian Poets, edited by Ieva Lesinska","description":"\u003cp\u003e\u003cem\u003eSix Latvian Poets\u003c\/em\u003e\u003cspan\u003e is the seventh in Arc's \u003c\/span\u003e\u003cem\u003eNew Voices from Europe and Beyond\u003c\/em\u003e\u003cspan\u003e series. 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This is a bilingual edition, with the Latvian original and the English translation on facing pages.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePaperback\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Pushkin House Bookshop","offers":[{"title":"Default Title","offer_id":43148298322081,"sku":"","price":10.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0510\/3406\/3009\/files\/9781906570392-10-000_1.jpg?v=1691757177"},{"product_id":"six-lithuanian-poets-ed-eugenijus-alisanka","title":"Six Lithuanian Poets ed. Eugenijus Ališanka","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eSix Lithuanian Poets\u003c\/em\u003e is the fourth volume in the series of bilingual anthologies which brings the work of contemporary poets from Europe and beyond to a wider English-language readership, a series which aims to keep a finger on the 'here and now' of international contemporary poetry.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe poets whose work is included in this anthology were born in the 1960s, when Lithuania was part of the Soviet Union, and mostly started publishing after the country achieved independence in 1991. Unlike their predecessors, the poets of this generation are not concerned with political themes but rather with issues of aesthetics and existential quests. 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Alongside other anthologies of world poetry published by Arc, the volume will certainly contribute to promoting contemporary European poetry among English-language readers\" - \u003c\/em\u003eEwa Stanczyk, The Manchester Review\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003ePaperback\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eIn English and Lithuanian \u003c\/strong\u003e\u003c\/p\u003e","brand":"Pushkin House Bookshop","offers":[{"title":"Default Title","offer_id":43178523558049,"sku":"","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0510\/3406\/3009\/files\/71FcnEtAPJL._AC_UF894_1000_QL80.jpg?v=1693401051"},{"product_id":"holy-winter-20-21-by-maria-stepanova","title":"Holy Winter 20\/21 by Maria Stepanova","description":"\u003cp data-mce-fragment=\"1\"\u003eThe outbreak of Covid-19 cut short Maria Stepanova’s stay in Cambridge in 2020. Back in Russia, she spent the ensuing months in a state of torpor – the world had withdrawn from her, time had ‘gone numb’. When she awoke from this state, she began to read Ovid, and the shock of the pandemic dissolved into the voices and metaphors of an epochal experience.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHer book-length poem\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eHoly Winter 20\/21\u003c\/i\u003e, written in a frenzy of poetic inspiration, speaks of winter and war, of banishment and exile, of social isolation and existential abandonment. Stepanova finds sublime imagery for the process of falling silent, interweaving love letters and travelogues, Chinese verse and Danish fairy tales into a polyphonic evocation of frozen and slowly thawing time.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFollowing her previous book of poetry,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eWar of the Beasts and the Animals\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e– in part a response to the Donbas conflict – her book’s title is even more prophetic now, echoing a famous patriotic Soviet song from 1941, ‘a holy war is underway’.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBorn in 1972, Maria Stepanova – as poet and essayist – was a highly influential figure for many years in Moscow’s cosmopolitan literary scene until its suppression along with civil liberties and dissent under Putin’s latter-day reign of terror. Her first prose work\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eIn Memory of Memory\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eestablished her internationally as one of the most important intellectual voices of contemporary Russia.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003ePaperback\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTranslated by \u003cstrong\u003eSasha Dugdale\u003c\/strong\u003e\u003c\/p\u003e","brand":"Pushkin House Bookshop","offers":[{"title":"Default Title","offer_id":43933099884705,"sku":"","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0510\/3406\/3009\/files\/64dd3ac5d862e.jpg?v=1711022538"},{"product_id":"avant-garde-post-radical-poetics-after-the-soviet-union-by-marijeta-bozovic","title":"Avant-Garde Post–: Radical Poetics after the Soviet Union by Marijeta Bozovic","description":"\u003cp\u003eThe remarkable story of seven contemporary Russian-language poets whose experimental work anchors a thriving dissident artistic movement opposed to both Putin’s regime and Western liberalism.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhat does leftist art look like in the wake of state socialism? In recent years, Russian-language avant-garde poetry has been seeking the answers to this question. Marijeta Bozovic follows a constellation of poets at the center of a contemporary literary movement that is bringing radical art out of the Soviet shadow: Kirill Medvedev, Pavel Arseniev, Aleksandr Skidan, Dmitry Golynko, Roman Osminkin, Keti Chukhrov, and Galina Rymbu. While their formal experiments range widely, all share a commitment to explicitly political poetry. Each one, in turn, has become a hub in a growing new-left network across the former Second World.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJoined together by their work with the Saint Petersburg–based journal [Translit], this circle has staunchly resisted the Putin regime and its mobilisation of Soviet nostalgia. At the same time, the poets of \u003cem\u003eAvant-Garde Post\u003c\/em\u003e– reject Western discourse about the false promises of leftist utopianism and the superiority of the liberal world. In opposing both narratives, they draw on the legacies of historical Russian and Soviet avant-gardes as well as on an international canon of Marxist art and theory. They are also intimately connected with other artists, intellectuals, and activists around the world, collectively restoring leftist political poetry to global prominence.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe avant-garde, Bozovic shows, is not a relic of the Soviet past. It is a recurrent pulse in Russophone―as well as global―literature and art. Charged by that pulse, today’s new left is reimagining class-based critique. 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Yes, their feelings were inspired and ardent. What then? They are hurled into dark prisons, killed by the freezing cold of hopeless exile...\u003c\/em\u003e\" \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA century later, in a Crimea devastated by civil war, Max Voloshin brooded: \"\u003cem\u003eDark is the lot of the Russian poet: an inscrutable fate leads Pushkin to the pistol's barrel, Dostoevsky to the scaffold.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePoetry has been because of (or despite) its tribulations the life force of Russian culture, its spiritual sustenance. 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She had used it only rarely as an adult, and never before as a creative writer \u003cspan\u003e– \u003c\/span\u003ethe national language of her people, smothered by Russian colonialism. She sets herself the goal of composing poetry in Tatar as she remembers it, without consulting dictionaries and grammars. 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It was not his first arrest \u003cspan\u003e–\u003c\/span\u003e he had already been imprisoned multiple times, as well as tortured, exiled, and blacklisted for the criticism of the Soviet state implicit in his verse. And yet many of his poems survived attempted purges \u003cspan\u003e–\u003c\/span\u003e often hidden in the unlikeliest places, and protected at great risk by his friends and admirers.\u003c\/p\u003e\n\u003cp\u003eThis volume collects the best of his work, including poems he was unable to publish in his lifetime.\u003cbr\u003e\u003cbr\u003eDense and sonorous, his poetry magnificently merges the European past at its best with Russian experience at its worst. 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In \u003cem\u003eWritings from the Golden Age of Russian Poetry\u003c\/em\u003e,\u003cstrong\u003e Peter France\u003c\/strong\u003e interweaves Batyushkov's life and writings, presenting masterful new translations of his work with the compelling story of Batyushkov's career as a soldier, diplomat, and poet and his tragic decline into mental illness at the age of thirty-four.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLittle known among non-Russian readers, Batyushkov left a varied body of writing, both in verse and in prose, as well as memorable letters to friends. 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Modern Russian lyric poets, often on the right side of history but the wrong side of their country’s politics, have engaged intensely with subjectivity, aesthetic movements, ideology (usually subversive), and literature itself. \u003cem\u003eAll the World on a Page\u003c\/em\u003e gathers thirty-four poems, written between 1907 and 2022, presenting each poem in the original Russian and an English translation, accompanied by an essay that places the poem in its cultural, historical, and biographical contexts.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe poems, both canonical and lesser-known works, extend across a range of moods and scenes: Velimir Khlebnikov’s Futurist revolutionary prophecy, Anna Akhmatova’s lyric cycle about poetic inspiration, Vladimir Nabokov’s Symbolist erotic dreamworld, Joseph Brodsky’s pastiche of a Chekhovian play set on a country estate, Maria Stepanova’s pandemic allegory of political repression, Galina Rymbu’s energetic manifesto “My Vagina.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAn introduction explores the abiding inspiration of modernism on the Russian lyric tradition. Kahn and Lipovetsky's separate chapter essays, informed by extensive knowledge of the existing scholarship and critical styles of interpretation, consider how the interplay of originality and tradition and form and voice work to engage the reader. 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