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This experience was incredibly important for me, and I am endlessly grateful to the people who met with me, spoke with me, and helped me work with this material. I should add that all of the Ns in these notes are different people, and the order of the notes for each location is roughly chronological.” (Linor Goralik)\u003c\/p\u003e\n\u003cp\u003eTranslated by Ainsley Morse, Daniela Maksin, Leonard Volchek, Venya Gushchin, Yasha Klots; published by the Tamizdat Project, New York, 2025\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\"History itself speaks to us from the pages of Goralik’s book. Initially inarticulate, labored and abstruse, history finds its voice through Linor’s efforts… Years from now, when we want to understand what happened to us, we will look to these pages with wonderment and melancholy. 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Этот опыт стал немыслимо важным для меня, и я безмерно благодарна всем, кто встречался со мной, говорил со мной и помогал мне в работе над этими записками. Остается добавить, что (разумеется) все Н. здесь — разные люди, и что порядок записок внутри одной локации примерно хронологический» (Линор Горалик)\u003c\/p\u003e\n\u003cp\u003eПеревод на английский Эйнсли Морс, Даниэла Максин, Леонард Волчек, Веня Гущин, Яков Клоц. Нью-Йорк: Tamizdat Project, 2025.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eСо страниц книги Горалик с нами говорит сама история. Все еще нечленораздельная, трудная и малопонятная, она находит свой язык, благодаря работе Линор... Много лет спустя, в попытках понять, что произошло с нами, мы будем обращаться именно к этим страницам в изумлении и печали. 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A teacher contemplates leaving her husband after learning that he doesn’t have a soul; a functionary realises that the only way to survive in contemporary Russia is to go insane; cars fall inexplicably from the sky; skeletons turn up in abandoned lots; a hapless everyman named Ivan Petrovich travels through a madcap Boschian afterlife, coming face-to-face with his own shortcomings, but failing, time after time, to finally get it right. Elsewhere, characters contend with puns, predators, and polyamory, often finding that the bleakness of their existence is an ordeal that only love can sweeten—though it also can’t fix anything. A witty satirist with a post-apocalyptic vision and a theologian’s sense of seriousness and depth, Gorbunova is heir to the likes of Nikolai Gogol, Mikhail Bulgakov, and Daniil Kharms.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn these fantastic, parable-like tales, she restores fiction’s capacity to amuse, terrify, and enchant, turning a magical lens on bitter realities.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaperback\u003c\/strong\u003e\u003c\/p\u003e","brand":"Pushkin House Bookshop","offers":[{"title":"Default Title","offer_id":56598022816122,"sku":null,"price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0510\/3406\/3009\/files\/9781646054039.jpg?v=1771338889"},{"product_id":"the-disappearing-act-by-maria-stepanova","title":"The Disappearing Act by Maria Stepanova, translated by Sasha Dugdale","description":"\u003cp\u003e\u003cspan\u003eThe writer known as M. is living in exile while her home country wages war on a neighbouring state. Wracked by shame and severed from her language, M. \u003c\/span\u003e\u003cspan\u003efinds herself unable to write, unmoored in a present where the future feels unknowable. When she travels to a nearby country for an event, a twist of fate leaves her stranded in an unfamiliar city, phoneless and untraceable. In this rupture, she feels a flicker of liberation – the possibility of starting over – but memories of childhood, books, films and tarot cards pull her back, the last fragments of a vanishing world.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThen she meets a troupe of circus performers who invite her to join them. For a moment, reinvention seems within reach. 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Emerging from small playwriting festivals, provincial theatres, and converted basements, it evolved into a major artistic movement that startled audiences with hypernaturalistic portrayals of sex and violence, daring use of non-normative language, and thrilling experiments with genre and form. The movement’s commitment to investigating contemporary reality helped revitalise Russian theatre.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIt also provoked confrontations with traditionalists in society and places of power, making theatre once again Russia’s most politicised art form. This anthology offers an introduction to New Russian Drama through plays that illustrate the versatility and global relevance of this exciting movement. 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