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His writings on his 43 years in the Soviet Union offer a rare insight into life as a quietly subversive art historian and the post-Stalin dissident community. In vivid prose Golomstock shows the difficulties of publishing, curating and talking about Western art in Soviet Russia and, with self-deprecating humour, the absurd tragicomedy of life for the Moscow intelligentsia during Khruschev's thaw and Brezhnev's stagnation. He also offers a unique personal perspective on the 1966 trial of Sinyavsky and Yuri Daniel, widely considered the end of Khruschev's liberalism and the spark that ignited the Soviet dissident movement. In 1972 he was given 'permission' to leave the Soviet Union, but only after paying a 'ransom' of more than 25 years' salary, nominally intended to reimburse the state for his education. A remarkable collection of artists, scholars and intellectuals in Russia and the West, including Roland Penrose, came together to help him pay this astronomical sum. His memoirs of life once in the UK offer an insider's view of the BBC Russian Service and a penetrating analysis of the notorious feud between Sinyavsky and Aleksandr Solzhenitsyn. 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Written in different years, they focus on cultural and aesthetic crises that, taken together, constitute the postmodern condition of Russian culture. The reader will find here articles about classic subversive texts (such as Nabokov’s \u003cem\u003eLolita\u003c\/em\u003e), performances (Pussy Riot), and recent, but also subversive, films. Other articles discuss such authors as Vladimir Sorokin, such sociocultural discourses as the discourse of scientific intelligentsia; post-Soviet adaptations of Socialist Realism, and contemporary trends of “complex” literature, as well as literary characters turned into cultural tropes (the Strugatsky’s progressors). 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Healey also reflects on the problems of 'memorylessness' for Russia's LGBT (lesbian, gay, bisexual and transgender) movement more broadly and the obstacles it faces in trying to write its own history.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eThe book makes use of little-known source material \u003cspan\u003e–\u003c\/span\u003e much of it untranslated archival documentation \u003cspan\u003e–\u003c\/span\u003e to explore how Russians have viewed same-sex love and gender transgression since the mid-20th century. \u003cem\u003eRussian Homophobia from Stalin to Sochi\u003c\/em\u003e provides a compelling background to the culture wars over the status of LGBT citizens in Russia today, whilst serving as a key text for all students of modern Russia.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cstrong\u003ePaperback\u003c\/strong\u003e\u003c\/p\u003e","brand":"Pushkin House Bookshop","offers":[{"title":"Default Title","offer_id":36984987582625,"sku":"SQ4074155","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0510\/3406\/3009\/products\/9781350000773.jpg?v=1607387229"},{"product_id":"the-lost-pianos-of-siberia-by-sophy-roberts","title":"The Lost Pianos of Siberia by Sophy Roberts","description":"\u003cp style=\"white-space:pre-wrap;\"\u003eSiberia's story is traditionally one of exiles, penal colonies and unmarked graves. 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Paolo Mancosu tells how Pasternak's expulsion from the Soviet Writers' Union left him in financial difficulty. Milan publisher Giangiacomo Feltrinelli and Sergio d'Angelo, who had brought the typescript of \u003cem\u003eDoctor Zhivago\u003c\/em\u003e to Feltrinelli, were among those who arranged a smuggling operation to help him. After Pasternak's death, Olga Ivinskaya, his companion, literary assistant, and the inspiration for Zhivago's Lara, also received some of the Zhivago royalties.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAfter the KGB intercepted Pasternak's will on her behalf, the Soviets arrested and sentenced her and her daughter, Irina Emelianova, to eight years and three years of labour camp, respectively. The ensuing international outrage inspired a secret campaign in the West to win their freedom. 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Written with enormous style and artistry, and based on more than one hundred interviews and research in archives across Russia, Europe, and the Americas,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eMr B\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ecarries us through Balanchine’s tumultuous and high-pitched life story and into the making of his extraordinary dances.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBalanchine’s life intersected with some of the biggest historical events of his century. Born in Russia under the last czar, Balanchine experienced the upheavals of World War I, the Russian Revolution, exile, World War II, and the Cold War. A co-founder of the New York City Ballet, he pressed ballet in America to the forefront of modernism and made it a popular art. None of this was easy, and we see his loneliness and failures, his five marriages \u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e– \u003c\/span\u003eall to dancers \u003cstrong\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e– \u003c\/span\u003e\u003c\/strong\u003eand many loves. 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Beginning with Dziga Vertov and his vision of the Soviet space as a unified, multinational mosaic, Oksana Sarkisova rediscovers films by Vladimir Erofeev, Vladimir Shneiderov, Alexander Litvinov, Mikhail Slutskii, Amo Bek-Nazarov, Mikhail Kalatozov, Roman Karmen and other filmmakers who helped construct an image of Soviet ethnic diversity and left behind a lasting visual legacy. 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It explores the transformations that art in Ukraine and the Baltic states has undergone since their independence in 1991, discussing how the conflicts and challenges of the last three decades have impacted the reconsideration of identity and fostered resistance of culture against economic and political crises. It analyses connections between the past and the present as seen by the artists in these countries and looks at their visions of the future. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContemporary Ukrainian art portrays various perspectives, addressing issues from controversial historical topics to the present military conflict in the East of the country. Baltic art speaks out against the erasure of past historical traumas and analyses the pertinence of its cultural scene to the European community. The contributions in this collection open a discussion of whether there is a single paradigm that describes the contemporary processes of art production in Ukraine and the Baltic countries. With contributions by Ieva Astahovska, Svitlana Biedarieva, Kateryna Botanova, Olena Martynyuk, Vytautas Michelkevicius, Lina Michelkevice, Margaret Tali, and Jessica Zychowicz.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaperback\u003c\/strong\u003e\u003c\/p\u003e","brand":"Pushkin House Bookshop","offers":[{"title":"Default Title","offer_id":43021457227937,"sku":"","price":36.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0510\/3406\/3009\/files\/9783838215266.jpg?v=1683725028"},{"product_id":"tamizdat-by-yasha-klots","title":"Tamizdat by Yasha Klots","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eTamizdat\u003c\/em\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eoffers a new perspective on the history of the Cold War by exploring the story of the contraband manuscripts sent from the USSR to the West.\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA word that means publishing \"over there,\"\u003cspan\u003e \u003c\/span\u003e\u003cem\u003etamizdat\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003emanuscripts were rejected, censored, or never submitted for publication in the Soviet Union and were smuggled through various channels and printed outside the country, with or without their authors' knowledge. Yasha Klots demonstrates how \u003cem\u003etamizdat\u003c\/em\u003e contributed to the formation of the twentieth-century Russian literary canon: the majority of contemporary Russian classics first appeared abroad long before they saw publication in Russia.\u003c\/p\u003e\n\u003cp\u003eExamining narratives of Stalinism and the Gulag, Klots focuses on contraband manuscripts from Khrushchev's Thaw to Stagnation under Brezhnev. Klots revisits the traditional notion of late Soviet culture as a binary opposition between the underground and official state publishing. He shows that even as \u003cem\u003etamizdat\u003c\/em\u003e represented an alternative field of cultural production in opposition to the Soviet regime and the dogma of Socialist Realism, it was not devoid of its own hierarchy, ideological agenda and even censorship.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTamizdat\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a cultural history of Russian literature outside the Iron Curtain. The Russian literary diaspora was the indispensable ecosystem for these works. Yet in the post-Stalin years, they also served as a powerful weapon on the cultural fronts of the Cold War, laying bare the geographical, stylistic, and ideological rifts between two disparate yet inextricably intertwined fields of Russian literature, one at home, the other abroad.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHardback\u003c\/strong\u003e\u003c\/p\u003e","brand":"Pushkin House Bookshop","offers":[{"title":"Default Title","offer_id":43032866554017,"sku":"","price":39.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0510\/3406\/3009\/files\/9781501768958.jpg?v=1684507743"},{"product_id":"goodbye-russia-rachmaninoff-in-exile-by-fiona-maddocks","title":"Goodbye Russia: Rachmaninoff in Exile by Fiona Maddocks","description":"\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cem\u003eHe fled revolution – only to find himself exiled in a strange new world. In “Goodbye Russia”, Rachmaninoff rebuilds his life in America: a virtuoso among Hollywood stars, yet haunted by the homeland he left behind. His final masterpiece, “Symphonic Dances,” becomes both farewell and requiem – an elegy for a lost Russia and a man between worlds.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eIn 1940 Sergei Rachmaninoff, living in exile in America, broke his creative silence and composed a swan song to his Russian homeland. What happened in those final haunted years and how did he come to write his farewell masterpiece, the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSymphonic Dances\u003c\/em\u003e?\u003c\/p\u003e\n\u003cp\u003eRachmaninoff left Petrograd in 1917 in the throes of the Russian Revolution. He was 44 years old, at the peak of his powers as composer-conductor-performer, moving in elite Tsarist circles, as well as running the family estate, his refuge and solace. He had already written the music which, today, has made him one of the most popular composers of all time: the second and third Piano Concertos and two symphonies. The story of his years in exile in America and Switzerland has only been told in passing. Reeling from the trauma of a life in upheaval, he wrote almost no music and quickly had to reinvent himself as a fêted virtuoso pianist, building up untold wealth and meeting the stars - from Walt Disney and Charlie Chaplin to his Russian contemporaries and polar opposites, Prokofiev and Stravinsky.\u003c\/p\u003e\n\u003cp\u003eYet the melancholy of leaving his homeland never lifted. Using a wide range of sources, including important newly translated texts, Maddocks’ immensely readable book conjures impressions of this enigmatic figure, his friends and the world he encountered. It explores his life as an émigré artist and how he clung to an Old Russia which no longer existed. That forging of past and present meets in his\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSymphonic Dances\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(1940), his last composition, written on Long Island shortly before his death in Beverly Hills, surrounded by a close-knit circle of Russian exiles.\u003c\/p\u003e","brand":"Pushkin House Bookshop","offers":[{"title":"Hardback","offer_id":56239763652986,"sku":null,"price":25.0,"currency_code":"GBP","in_stock":false},{"title":"Paperback","offer_id":56239763685754,"sku":null,"price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0510\/3406\/3009\/files\/9780571371143.jpg?v=1764334542"},{"product_id":"vopli-vidopliassova-s-tantsi-by-maria-sonevytsky","title":"Vopli Vidopliassova’s Tantsi by Maria Sonevytsky","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eRock 'n' roll may not have toppled the USSR, but it definitely rumbled through its foundations. Unlike the often-saccharine pop music sanctioned by the Soviet state, Ukrainian punk musicians of the 1980s Kyiv underground adapted ideologies of rock to roast the absurdities of late Soviet life, to articulate new ways of being Ukrainian, and to celebrate the cathartic pleasures of collective gatherings organized around musical performances.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis book tells the story of \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eTantsi\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e(\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eDances\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e) a 1989 semi-official cassette release by the now-legendary Ukrainian punk band Vopli Vidopliassova, known to fans simply as VV (pronounced “Ve-Ve”). Their disruptive musical sounds, ironic lyrics, use of language, and propulsive performances toyed with the distinctions between official and unofficial Soviet culture. VV's \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eTantsi\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e exemplifies how Soviet musical cultures existed within an ecosystem of contradictions as entrenched state infrastructures collided with emergent youth subcultures on the quicksand of late Soviet life. Today, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eTantsi\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e continues to invite us to dance while we laugh (or cry) at the absurdities of everyday life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaperback\u003c\/strong\u003e\u003c\/p\u003e","brand":"Pushkin House Bookshop","offers":[{"title":"Default Title","offer_id":43121139482785,"sku":"","price":16.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0510\/3406\/3009\/files\/9781501363115.jpg?v=1689842051"},{"product_id":"film-and-identity-in-kazakhstan-soviet-and-post-soviet-culture-in-central-asia-by-rico-isaacs","title":"Film and Identity in Kazakhstan: Soviet and Post-Soviet Culture in Central Asia by Rico Isaacs","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCinema and nationalism are two fundamentally modern phenomena, but how have films shaped our understanding of the creation -the 'imagining' - of Central Asian nations? 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Drawing on an analysis of Kazakh films from the last century, and featuring new interviews with directors and critics involved in the Central Asian film industry, his book traces the construction of nationalism within Kazakh cinema from the country's inception as a Soviet Republic to a modern independent nation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIsaacs identifies four narratives since the collapse of the Soviet Union: a warrior-like 'ethnic' narrative rooted in the 18th-century struggles against the Mongolian Oirat tribes; a 'civic' inspired narrative cemented in the Stalinist deportations of the 1930s and 1940s; a religious narrative founded within the mystic and philosophical religion of Tengrism and the cult of the Sky God; and a socio-economic narrative which roots Kazakh nationhood and identity in contemporary social divisions, the lived day-to-day experiences of ordinary citizens and the struggles they face with authority.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThese last two tropes demonstrate how cinema has emerged as a site of dissent against the country's authoritarian regime under President Nazarbayev. \u003cem\u003eFilm and Identity in Kazakhstan\u003c\/em\u003e advances our understanding of Kazakhstan and nationalism by demonstrating the multiple and inessential character of each, and illustrates the important role of cinema in contesting political power in the post-Soviet space.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaperback\u003c\/strong\u003e\u003c\/p\u003e","brand":"Pushkin House Bookshop","offers":[{"title":"Default Title","offer_id":43179763597473,"sku":"","price":31.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0510\/3406\/3009\/files\/9781350252295.jpg?v=1693480056"},{"product_id":"beethoven-in-russia-music-and-politics-by-frederick-w-skinner","title":"Beethoven in Russia: Music and Politics by Frederick W. 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In part 2, Skinner reveals how this same power was again harnessed to promote Stalin's campaign of rapid industrialization. The appropriation of Beethoven and his music to serve the interests of the state remained the hallmark of Soviet Beethoven reception until the end of communist rule.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith interdisciplinary appeal in the areas of history, music, literature, and political thought,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eBeethoven in Russia\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eshows how Beethoven's music served as a call to action for citizens and weaponized state propaganda in the great political struggles that shaped modern Russian history.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003ePaperback\u003c\/strong\u003e \u003c\/p\u003e","brand":"Pushkin House Bookshop","offers":[{"title":"Default Title","offer_id":43203552936097,"sku":"","price":34.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0510\/3406\/3009\/files\/9780253063052.jpg?v=1693997869"},{"product_id":"the-ethnic-avant-garde-minority-cultures-and-world-revolution-by-steven-s-lee","title":"The Ethnic Avant-Garde: Minority Cultures and World Revolution by Steven S. Lee","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDuring the 1920s and 1930s, American minority artists and writers collaborated extensively with the Soviet avant-garde, seeking to build a revolutionary society that would end racial discrimination and advance progressive art. Making what Claude McKay called \"the magic pilgrimage\" to the Soviet Union, these intellectuals placed themselves at the forefront of modernism, using radical cultural and political experiments to reimagine identity and decentre the West.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShining rare light on these efforts, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Ethnic Avant-Garde\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e makes a unique contribution to interwar literary, political, and art history, drawing extensively on Russian archives, travel narratives, and artistic exchanges to establish the parameters of an undervalued \"ethnic avant-garde.\" These writers and artists cohered around distinct forms that mirrored Soviet techniques of montage, fragment, and interruption. They orbited interwar Moscow, where the international avant-garde converged with the Communist International.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe book explores Vladimir Mayakovsky's 1925 visit to New York City via Cuba and Mexico, during which he wrote Russian-language poetry in an \"Afro-Cuban\" voice; Langston Hughes's translations of these poems while in Moscow, which he visited to assist on a Soviet film about African American life; a futurist play condemning Western imperialism in China, which became Broadway's first major production to feature a predominantly Asian American cast; and efforts to imagine the Bolshevik Revolution as Jewish messianic arrest, followed by the slow political disenchantment of the New York Intellectuals. Through an absorbing collage of cross-ethnic encounters that also include Herbert Biberman, Sergei Eisenstein, Paul Robeson, and Vladimir Tatlin, this work remaps global modernism along minority and Soviet-centered lines, further advancing the avant-garde project of seeing the world anew.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaperback\u003c\/strong\u003e\u003c\/p\u003e","brand":"Pushkin House Bookshop","offers":[{"title":"Default Title","offer_id":43367489536161,"sku":"","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0510\/3406\/3009\/files\/9780231173520.webp?v=1698760287"},{"product_id":"whats-cooking-in-the-kremlin-a-modern-history-of-russia-through-the-kitchen-door-by-witold-szablowski","title":"What's Cooking in the Kremlin: A Modern History of Russia Through the Kitchen Door by Witold Szablowski","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\"A spicy and original romp through Russian history\" - Robert Service, author of \u003cem\u003eBlood on the Snow: The Russian Revolution 1914-1924\u003c\/em\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\"This wickedly delicious tale uncovers the secret, gustatory history of the Kremlin\" - Douglas Smith, author of \u003cem\u003eFormer People:\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003cem\u003eThe Final Days of the Russian Aristocracy \u003c\/em\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003ci data-mce-fragment=\"1\"\u003eWhat's Cooking in the Kremlin\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis a tale of feast and famine told from the kitchen, the narrative of one of the most complex, troubling and fascinating nations on earth.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWe will travel through Putin's Russia with acclaimed author Witold Szabłowski as he learns the story of the chef who was shot alongside the Romanovs, and the Ukrainian woman who survived the Great Famine created by Stalin and still weeps with guilt; the soldiers on the Eastern front who roasted snails and made nettle soup as they fought back Hitler's army; the woman who cooked for Yuri Gagarin and the cosmonauts; and the man who ran the Kremlin kitchen during the years of plenty under Brezhnev. We will hear from the women who fed the firefighters at Chernobyl, and the story of the Crimean Tatars, who returned to their homeland after decades of exile, only to flee once Russia invaded Crimea again, in 2014.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn tracking down these remarkable stories and voices, Witold Szabłowski has written an account of modern Russia unlike any other – a book that reminds us of the human stories behind the history.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan class=\"authorText\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eWitold Szabłowski\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003eis an award-winning Polish journalist and the critically-acclaimed author of books including\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eDancing Bears\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eHow to Feed a Dictator\u003c\/i\u003e. 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