{"title":"Central Asia","description":null,"products":[{"product_id":"the-railway-by-hamid-ismailov","title":"The Railway by Hamid Ismailov","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSet mainly in Uzbekistan between 1900 and 1980, \u003cem\u003eThe Railway\u003c\/em\u003e introduces to us the inhabitants of the small town of Gilas on the ancient Silk Route. Among those whose stories we hear are Mefody-Jurisprudence, the town's alcoholic intellectual; Father Ioann, a Russian priest; Kara-Musayev the Younger, the chief of police; and Umarali-Moneybags, the old moneylender. Their colourful lives offer a unique and comic picture of a little-known land populated by outgoing Mullahs, incoming Bolsheviks, and a plethora of Uzbeks, Russians, Persians, Jews, Koreans, Tatars and Gypsies.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAt the heart of both the town and the novel stands the railway station - a source of income and influence, and a connection to the greater world beyond the town. 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The five former Soviet Republics Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan and Uzbekistan all became independent when the Soviet Union fell apart in 1991. How have these countries developed since then? In the Kyrgyzstani villages Erika Fatland meets victims of the widely known tradition of bride snatching; she visits the huge and desolate Polygon in Kazakhstan where the Soviet Union tested explosions of nuclear bombs; she meets Chinese shrimp gatherers on the banks of the dried out Aral Sea and she witnesses the fall of a dictator.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eShe travels incognito through Turkmenistan, a country that is closed to journalists. She meets exhausted human rights activists in Kazakhstan, survivors from the massacre in Osh in 2010, and German Mennonites that found paradise on the Kyrgyzstani plains 200 years ago. During her travels, she observes how ancient customs clash with gas production and she witnesses the underlying conflicts between ethnic Russians and the majority in a country that is slowly building its future in nationalist colours.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn these countries, which used to be the furthest border of the Soviet Union, life follows another pace of time. Amidst the treasures of Samarkand and the bleakness of Soviet architecture, Erika Fatland moves with her openness towards the people and the landscapes around her. A rare and unforgettable travelogue.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTranslated from the Norwegian by \u003cstrong\u003eKari Dickson\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePaperback\u003c\/strong\u003e\u003c\/p\u003e","brand":"Pushkin House Shop","offers":[{"title":"Default Title","offer_id":41279863357601,"sku":"","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0510\/3406\/3009\/products\/hbg-title-9780857057747-36.jpg?v=1638026227"},{"product_id":"the-politics-of-unfree-labour-in-russia-by-mary-buckley","title":"The Politics of Unfree Labour in Russia By Mary Buckley","description":"\u003cp\u003e\u003cspan\u003eHow, and why, did human trafficking out of Russia escalate at the beginning of the twenty-first century? Why did some labour migrants from Uzbekistan, Tajikistan and Kyrgyzstan find happy work situations in Russia whereas others became trapped in forced labour? This book focuses on human trafficking out of the Russian Federation since the collapse of the Soviet state and on labour migration into it from Central Asia, and on some internal movement. It looks at the socio-economic reasons behind labour flows and examines key social, political, legislative and policy responses. Discussion includes how the Russian press covers these topics and what politicians, experts and the public think about them.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBased on interviews, polls and focus groups in Russia, this book is rich in original research which highlights different Russian perspectives on exploitation in unfree labour. 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Presenting the 'untold story' of Soviet Orientalism, Aliya Abykayeva-Tiesenhausen re-evaluates the imperial project of the Soviet state, placing the Orientalist undercurrent found within art and propaganda production in the USSR alongside the creation of new art forms in Kazakhstan, Kyrgyzstan and Uzbekistan. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom the turmoil of the 1930s through to the post-Stalinist era, the author draws on meticulous new research and rich illustrations to examine the political and social structures in the Soviet Union - and particularly Soviet Central Asia - to establish vital connections between Socialist Realist visual art, the creation of Soviet identity and later nationalist sentiments.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHardback\u003c\/strong\u003e\u003c\/p\u003e","brand":"Pushkin House Shop","offers":[{"title":"Default Title","offer_id":41354820223137,"sku":"","price":60.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0510\/3406\/3009\/products\/CentralAsiainArt.jpg?v=1639581915"},{"product_id":"soviet-asia-by-robert-conte-and-stefano-perego","title":"Soviet Asia by Robert Conte and Stefano Perego","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eSoviet Asia\u003c\/em\u003e explores the Soviet modernist architecture of Central Asia. Italian photographers Roberto Conte and Stefano Perego crossed the former Soviet republics of Kazakhstan, Kyrgyzstan, Uzbekistan and Tajikistan, documenting buildings constructed from the 1950s until the fall of the USSR.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe resulting images showcase the majestic, largely unknown, modernist buildings of the region. Museums, housing complexes, universities, circuses, ritual palaces – all were constructed using a composite aesthetic. Influenced by Persian and Islamic architecture, pattern and mosaic motifs articulated a connection with Central Asia. Grey concrete slabs were juxtaposed with colourful tiling and rectilinear shapes broken by ornate curved forms: the brutal designs normally associated with Soviet-era architecture were reconstructed with Eastern characteristics.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e﻿Hardback\u003c\/strong\u003e\u003c\/p\u003e","brand":"Pushkin House Bookshop","offers":[{"title":"Default Title","offer_id":42548132315297,"sku":"","price":24.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0510\/3406\/3009\/products\/sovietasia.jpg?v=1663931687"},{"product_id":"manaschi-by-hamid-ismailov","title":"Manaschi by Hamid Ismailov","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003eA radio presenter interprets one of his dreams as an initiation by the world of spirits into the role of a Manaschi, a Kyrgyz bard and shaman who recites and performs the epic poem,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eManas\u003c\/em\u003e, and is revered as someone connected with supernatural forces. Travelling to his native mountainous village, populated by Tajiks and Kyrgyz, and unravelling his personal and national history, our hero Bekesh instead witnesses a full re-enactment of the epic’s wrath.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eFollowing on from the award winning\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Devils' Dance\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eOf Strangers and Bees\u003c\/em\u003e, this is the third and final book in Ismailov's informal Central Asia trilogy.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan\u003eTranslated by \u003cstrong\u003eDonald Rayfield\u003c\/strong\u003e.\u003c\/span\u003e\u003c\/p\u003e","brand":"Pushkin House Bookshop","offers":[{"title":"Default Title","offer_id":42899256737953,"sku":"","price":9.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0510\/3406\/3009\/products\/Manaschi_Cover.jpg?v=1677073374"},{"product_id":"jamilia-by-chingiz-aitmatov","title":"Jamilia by Chingiz Aïtmatov","description":"\u003cp\u003e\u003cstrong\u003e\"Punctuated by beautiful scenes of human kindness, wisdom, love and devotion, and set against the background of the stunning central Asian landscape\" – \u003cem\u003eThe \u003c\/em\u003e\u003cem\u003eGuardian\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eJamilia’s husband is off fighting at the front. 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Drawing on an analysis of Kazakh films from the last century, and featuring new interviews with directors and critics involved in the Central Asian film industry, his book traces the construction of nationalism within Kazakh cinema from the country's inception as a Soviet Republic to a modern independent nation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIsaacs identifies four narratives since the collapse of the Soviet Union: a warrior-like 'ethnic' narrative rooted in the 18th-century struggles against the Mongolian Oirat tribes; a 'civic' inspired narrative cemented in the Stalinist deportations of the 1930s and 1940s; a religious narrative founded within the mystic and philosophical religion of Tengrism and the cult of the Sky God; and a socio-economic narrative which roots Kazakh nationhood and identity in contemporary social divisions, the lived day-to-day experiences of ordinary citizens and the struggles they face with authority.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThese last two tropes demonstrate how cinema has emerged as a site of dissent against the country's authoritarian regime under President Nazarbayev. \u003cem\u003eFilm and Identity in Kazakhstan\u003c\/em\u003e advances our understanding of Kazakhstan and nationalism by demonstrating the multiple and inessential character of each, and illustrates the important role of cinema in contesting political power in the post-Soviet space.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e﻿Paperback\u003c\/strong\u003e\u003c\/p\u003e","brand":"Pushkin House Bookshop","offers":[{"title":"Default Title","offer_id":43179763597473,"sku":"","price":31.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0510\/3406\/3009\/files\/9781350252295.jpg?v=1693480056"},{"product_id":"amanat-womens-writing-from-kazakhstan-edited-by-zaure-batayeva-and-shelley-fairweather-vega","title":"Amanat: Women's Writing from Kazakhstan edited by Zaure Batayeva and Shelley Fairweather-Vega","description":"\u003cp class=\"\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDiverse in form and style, “Amanat” gathers 13 female Kazakhstani voices, revealing the lives, stories, and histories of a nation over the past 30 years. 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The conversations delve deeper into questions of art and (de)colonisation in countries in the Caucasus and Central Asia, most of which recently celebrated their 30th anniversary of independence.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDeparting from Dutch collections and exhibitions, the conversations try to grapple with questions on the meaning and relationships that these artworks and artists are enabling. Touching upon various notions of time, space and perception, it wonders how to include other stories and voices into Dutch collections and Western stories of art. Three travelogues by Furqat Palvan-Zade take these conversations to another time and place – all the way across Eurasia and back to the Netherlands.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIncluding interviews with Umida Akhmedova, Babi Badalov, Saodat Ismailova, Gulnara Kasmalieva \u0026amp; Muratbek Djumaliev, Taus Makhacheva, Yerbossyn Meldibekov, Almagul Menlibayeva, Maria Mkrtycheva, Furqat Palvan-Zade, Alexander Ugay.\u003c\/p\u003e\n\u003cblockquote data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e'The artists showed us that their post-Soviet reality is never an either\/\u003cbr data-mce-fragment=\"1\"\u003eor situation, it is not a monolith, but something fluid and subject to change. 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Bringing together specialists from Central Asia, Russia, Europe and the United States, this companion to the cinema of the region combines serious scholarly study with practical accessibility to construct an historical narrative, discuss aspects of film production and consider the impact of film. The book also offers a deeper understanding of Central Asian culture that is invaluable with the geopolitical and economic emergence of this exciting region.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe book opens with a broad history, paying particular attention to the emergence and expansion of the film industry, competing visions of nationalism and distinct phases of the post-Soviet film experience. A series of incisive articles written by specialists on Central Asian film follows. 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This beautifully crafted work blends elements of folklore, history, and human drama to create a poignant, evocative, and timeless story set in the vast and rugged landscapes of Central Asia.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAt its core, the novella tells two interconnected tales: the story of a politically repressed father and his ruthless interrogator each coming to their own realizations of what the meaning of life is, and a legend concerning a warrior and a seamstress who have defied the highest command of the almighty Genghis Khan.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe White Cloud of Genghis Khan is a\u003cstrong\u003e “novella to the novel” \u003c\/strong\u003emeant to \u003cstrong\u003e“finish the unfinished song” of Aitmatov’s magnum opus\u003c\/strong\u003e, The Day Lasts More Than a Hundred Years. The novella develops on themes core to the original novel like love and heartbreak, triumph and tragedy, and the minuteness and grandness of life. This completion of the “unfinished song” also lays bare direct conflict between the individual and the authoritarian state in a way Aitmatov only felt was possible towards the very end of the Soviet Union, in the more open glasnost-era censorship environment that emerged years after the initial publication of The Day Lasts More Than a Hundred Years.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHowever, it is critical to note that this novella stands alone as a self-contained story. 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