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The essays tell the history of the countries and their conflicts, look at the decline and struggle for resurrection of the Soviet empire, and reflect on chances and restrictions of documentary photography.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIn English and German.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHardback.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Pushkin House Bookshop","offers":[{"title":"Default Title","offer_id":43016503591073,"sku":"","price":40.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0510\/3406\/3009\/files\/9783858814524.jpg?v=1683294895"},{"product_id":"soviet-playgrounds-playful-landscapes-of-the-former-ussr-by-david-navarro-martyna-sobecka","title":"Soviet Playgrounds: Playful Landscapes of the Former USSR by David Navarro \u0026 Martyna Sobecka","description":"\u003cp\u003e\u003cspan\u003eThrough five chapters containing more than 150 photographs, the book documents the mass-produced, yet diverse play equipment installed in the communal spaces of socialist-era housing estates, such as rocket slides and earth-shaped climbers, spaceships and animal-themed ladders, cosmic roundabouts and bizarre objects that would probably raise safety concerns nowadays.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom Riga to Dushanbe and all the way from Kyiv to Vladivostok, children dreamt of becoming cosmonauts, and enjoyed the many space-themed playscapes which had proliferated since the onset of the Cold War era. While some are still in use, others are slowly disappearing to make way for modern equipment, or, more recently, being destroyed during the Russian invasion of Ukraine, becoming only a faint memory of a Soviet childhood.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes a foreword by the Ukrainian urban planner \u003cstrong\u003eMykola Gorokhov\u003c\/strong\u003e and informative maps of the playgrounds featured in every chapter. 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In addition to this, the book also reveals how artists dealt with the possibility that they were being observed by the secret police and how they now work with the material stored in the archives maintained by the intelligence services.\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003ePaperback\u003c\/strong\u003e\u003c\/p\u003e","brand":"push","offers":[{"title":"Default Title","offer_id":43031802183841,"sku":"","price":37.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0510\/3406\/3009\/files\/Artists___Agents.jpg?v=1700508833"},{"product_id":"the-art-nouveau-dacha-by-vladimir-story","title":"The Art Nouveau Dacha by Vladimir Story","description":"\u003cp\u003e\u003cspan class=\"what_content\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eWith a foreword by King Charles III\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis fine black and white catalogue, originally published in 1917 in St Petersburg, contains over 40 large pages carrying detailed architectural drawings of specifically ‘modern’ design. The buildings are mostly domestic homes and of wooden construction during a period when the word ‘modern’ effectively meant ‘Art Nouveau’ in Russia. These ‘dachas’ were intended as both summer houses, but also inhabitable during the hard Russian winters.'\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe houses range from grand and ornate estate houses to small, with outhouses, stables, fences and even underground ice-bunkers (storage without electricity). The catalogue is sub-titled ‘cheap buildings’ due to their relative low cost as compared to the grander city or country dwellings made from stone, brick or cement.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlmost none in the catalogue were ever built as shortly after its publication the Russian Revolution instigated a huge social upheaval and a radical shift in the economy. Russian Art Nouveau quickly lost its prominence. 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The theme of non-conformity and the punk rejection of state authority is a continuous thread throughout the book, which highlights changing and divided societies and their evolving norms in the post-Soviet period. Inspired by the titular concepts, punk and orientalism, the text functions as a form of bricolage, uniting punk movements and strategies, which can be traced in popular visual culture from the 1970s onwards.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe idea of punk is coupled with a critical study of orientalism and its historical association with imperialist assumptions of knowledge concerning the East. \u003cem\u003ePunk Orientalism\u003c\/em\u003e expands its association with this territory to explore former Soviet possessions in Central Asia and the Caucasus, as well as looking at the USSR's complex relationship with the Arab world, Iran and Turkey. 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The Russian Revolution wipes the old tsarist empire off the map. Marc Chagall, Wassily Kandinsky, Kazimir Malevich, Lyubov Popova, Alexander Rodchenko, Olga Rozanova, Vladimir Tatlin, and other avant-garde artists participate in the revolutionary struggle, transforming inner cities with their progressive murals, posters, installations, and performances. The new political leaders soon want nothing to do with these radical artists. While their reputation is growing in Europe, they experience increasing pressure in the Soviet Union.\u003cbr\u003e\u003cbr\u003eAgainst a background of violent social and political change, Sjeng Scheijen describes with compassion and humour the events that shaped the artistic revolution in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Avant-Gardists\u003c\/em\u003e, the first illustrated biography to relate the rise and fall of the leading figures of the Russian and Soviet avant-garde. 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